Contributed by Rosetta Marantz Cohen / Who doesn’t love a hat? Whether you wear them yourself or simply admire them on others, it is hard to deny that a beautiful, handmade hat is a marvelous object. As with all aesthetic creations, where hats sit on the continuum between high art and craft, sculpture and practical headwear, depends on the intention of the hatmaker and the predisposition of the viewer. Certainly there’s an argument to be made for giving certain hats their due as museum-worthy objects. Museums have long displayed all manner of objects intended for wear, from designer shoes to lavish evening gowns. The special display of hats currently on view at The Gallery at the Met Store makes the case that hats constitute a unique blend of high art and commodity. Situated unabashedly inside the museum store, the show is perfectly candid about what it is: a thoroughly delightful inventory of beautiful and artful yet wearable things, with prices attached.
Tag: The Metropolitan Museum
Melissa Meyer: Style is the answer
Contributed by Mary Shah / Time is an artist’s friend, muse, and collaborator. An artist’s style develops gradually, and the way to appreciate her work is to look at it over time. Bukowski’s words, which live rent-free in my mind, hypnotically echoed as I took in Melissa Meyer’s absorbing exhibition “Throughlines,” currently on view at Olympia. Comprising ten paintings and an artist book, the show covers the last twenty years and provides a considered, if abridged, look at the evolution of Meyer’s distinctive style up to the present day.
Howard Hodgkin’s Indian court collection: enigmatic or just good?
Contributed by David Carrier / Some very successful artists are also collectors, and the art that artists collect can reveal or confirm something about their own work and social attitudes. For example, Edgar Degas’ abundant holdings included works by Édouard Manet, which shows that Degas elevated aesthetic qualities over political beliefs. Unsurprisingly, Pablo Picasso traded art with Henri Matisse. Given Picasso’s obsessive rivalry with the Frenchman, he must have enjoyed keeping score with his frenemy as well as infiltrating Matisse’s collection with his own work. What then are we to make of British painter Howard Hodgkin’s trove of Indian court paintings, now on view at the Metropolitan Museum of Art?
Van Gogh and Divisionism
Contributed by Margaret McCann / Vincent van Gogh drew from many sources in his short, intensely inventive career. “Van Gogh’s Cypresses,” now up at the Metropolitan Museum of Art, highlights his encounter with the Mediterranean conifer. A symbol of mourning, it dramatically punctuates the Tuscan landscape, and appears in paintings by Leonardo, in Arnold Bocklin’s Isle of the Dead series (who probably it in Rome), and Salvador Dali, among others. Van Gogh noticed the “interesting, dark note” in the Provencal landscape, near the end of a peripatetic life.
Artists under duress: Max Beckmann
Contributed by Jonathan Stevenson / Esteemed in Germany during the Weimar Republic but branded a “degenerate artist” by the anti-modern Adolf Hitler, the great expressionist […]
Why Bacon?
Francis Bacon is one of those painters every beginning painting student adores because Bacon�s work is so much more accessible than the abstract painters who […]
Bonnard: Folding together form, color and feeling
Roberta Smith on Pierre Bonnard at the Met: “Working simultaneously on several unstretched canvases tacked directly to the wall, he painted largely from memory with […]
Jewel-encrusted vs. diamond-dusted
I spent a few hours rambling around the Met this week and saw the survey of Raqib Shaw’s opulent jewel-encrusted paintings based on Hans Holbein […]
Morandi: “I don’t ask for anything except for a bit of peace which is indispensable for me to work.”
The big Giorgio Morandi survey that opens this week at the Metropolitan Museum features over 100 paintings, drawings, watercolors and etchings. In the New Yorker […]
Proto-Bohemian Gustave Courbet arrives at the Metropolitan
Courbet would be glad to know that everyone’s still talking about him. In the NYTimes, Roberta Smith writes that Courbet only grudgingly accepted the title […]
Jasper Johns: Eminence gray
“Jasper Johns: Gray,” curated by James Rondeau and Douglas Druick at The Art Institute of Chicago. Metropolitan Museum, New York, NY. February 5 – May […]
Courbet retrospective in Paris
“Courbet,” curated by Laurence des Cars, Dominique de Font-R�aulx, Gary Tinterow, and Michel Hilaire. Galeries Nationales du Grand Palais, Paris. Through Jan. 28. Schedule: Metropolitan […]
Ab-Ex at the Met
“Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in the Metropolitan Museum of Art,” selected and installed by Gary Tinterow. The […]
Sean Scully and Eli Broad
In Stephanie Strom’s report on charitable giving in the NYTimes, take a look at Sean Scully’s big, juicy painting hanging behind philanthropist Eli Broad in […]
From the archives: Donald Kuspit on Sean Scully
On artnet, Donald Kuspit’s erudite review of Sean Scully’s show (Sept. 26, 2006-Jan. 15, 2007) at NYC’s Metropolitan Museum of Art. For anyone interested in […]