Tag: Ree Morton

Out of Town Solo Shows

Sam Anderson: Feeling is structural

Contributed by Patrick Ryan Bell / Situated in Baltimore’s Old Goucher neighborhood, art hall has rapidly established itself as a pivotal space for contemporary art. Once a Hells Angels bar, the venue has undergone a thoughtful transformation that embraces its history and urban context by way of significant international artists tailored to Charm City’s audience. In a city shaped by economic precariousness, institutional neglect, and fierce grassroots creativity, art hall presents an alternative model: serious contemporary programming without the trappings of market pressure or institutional polish. Owner and director Shawn Mudd is not looking to feed or mimic New York but instead to divert its pipeline, bringing established artists to Baltimore. Now up is Sam Anderson’s solo exhibition, “There’s a Girl in My Soup,” which features a wide range of her work. It fits the gallery: rigorous, poetic, and strange. 

Ideas & Influences

Artist’s Notebook: Elisabeth Condon

Painter Elisabeth Condon divides her time between Manhattan and Florida, where she currently has new work on view in “Tempus Fugit,” a solo show at Emerson Dorsch Gallery. Two Coats of Paint invited Condon to share ten ideas and influences that shape her ebulliently expansive paintings and installations. The artist’s influences come from near and far, from her excessively designed childhood home in California to the Astor Chinese Garden Court at the Metropolitan Museum and the furniture Japanese designer Shiro Kuramata crafted from industrial materials. For Condon, kinetic and vigorous layering are crucial to her process.