Contributed by Kari Adelaide Razdow / Lassoing whimsy and venturing into uncanny realms where crimson eyes peer from stones, “Fairyland 2: Deeper, Darker” at Mindy Solomon Gallery in Miami, curated by Valerie Hegarty, presents a captivating visual language of non-human elementals and imaginings. Fairies, as an archetype, are perennially underestimated. Nimble and powerful in their capacity to provoke enchantment, they idiosyncratically neutralize assumptions through glamour, illusion, and surprise, and collapse boundaries of knowing and unknowing, and visibility and invisibility. In this group show, various paintings portray animals – one has bats emerging from petrified stage curtains in the forest – but figuration dominates. Bodies on the ground or bending towards the earth suggest unknown struggles, pixie-led crossings, enchanted tasks, and tales of wonder. Hybrid creatures, including Mala Iqbal’s painting Forest Tangle with Jaybird, align with Leonora Carrington’s surreal chimerical figures, including Figuras Miticas: Bailarin II and Girl, Horse, Tree, now on view in “Leonora Carrington: Dream Weaver” at the Rose Art Museum.
Tag: Rebecca Morgan
Miami, Part IV: Rebecca Morgan’s eye on the figurative (and a bit of abstraction)
Guest Contributor Rebecca Morgan / The Miami fairs constitute true spectacle. I enjoyed watching it happen from a safe distance, and found it even more […]
Miami, Part I: Rebecca Morgan’s picks from Untitled and Art Basel
Guest contributor Rebecca Morgan / As the definitive Juggernaut, Art Basel Miami Beach offers a lot to love and loathe. Personally, my love for art […]