Contributed by David Carrier / Born in Russia at the very start of this century, Ester Petukhova is a Pittsburgh resident. Her precocious new show includes seven small acrylic paintings, two of them with two parts, on shaped panels. Burgeoning Blue Screen shows a Russian at work on an old-fashioned computer. Indexed Landmarks 1 & 2 depicts a man, naked to the waist, holding a large fish. And Bread with Salt in the Wound presents a large loaf of bread, and is enhanced with glass beads. “It is a customary Slavic tradition,” the gallery label says, “to present bread with salt when welcoming a foreign nation or power.” Welcome, then, to the former Soviet Union.
Tag: politics
“So it appears” at the ICA: Art and politics deftly fused
Contributed by Jason Stopa / An international survey at the Institute for Contemporary Art at Virginia Commonwealth University explores how contemporary artists use abstraction to encode otherwise invisible realities: climate change, political strife, and inequalities of all stripes. Some are household names, others still emerging. Titled “So it appears,” the show is anything but timid. It boasts some 19 artists occupying three floors, each one grappling with the limits of abstraction and its history and pressing beyond the frame of the canvas. Western abstraction has tackled social and political issues before – there was deconstruction in the 1960s, Neo-Geo in the eighties, and most recently the palpable Trump-era uptick. “So it appears” looks to the Global South for perspective.
Report from Ukraine: Artists persist in heroic volunteer effort
On March 31, 2022 Two Coats of Paint contributor Julia Kunin spoke with artist-reporters Violetta Oliinyk and Taras Polataiko to see how they were doing, and then she followed up on May 7. Due to unexpected technical issues at Two Coats of Paint, we have been unable to publish these interviews until today.
Jennifer Packer’s tender distance
Contributed by Jonathan Stevenson / Its quite a feat for a figurative painter to achieve both intimacy and remove simultaneously, but Jennifer Packer accomplishes just that in The Eye Is Not Satisfied With Seeing, the vibrant survey of her work at the Whitney.
Cameron Rowland: Truth that lies between object and text
Contributed by Laurie Fendrich / If youre looking for pure beauty, or merely a tiny aesthetic tingle, Cameron Rowlands exhibition is not for you. Contemplating […]
Powhida on Biden: A man for this season
Contributed by Jonathan Stevenson / The art that accompanies magazine articles usually seems decorative and functional, there merely to cheer up black-and-white text and interrupt […]
Medrie MacPhee, David Humphrey, and the power of recognition
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the problem with figurative art was that it vanishes into recognition. By 1960, […]
Mira Schor: Insistently personal
Contributed by Sharon Butler / Mira Schors galvanizingly insistent new paintings continue her exploration of self and the disembodied mind. Many painters traffic in purposeful […]
Vida Americana: A grand hemispheric embrace
Contributed by Jonathan Stevenson / The Trump administration has tried to physically cordon off Mexico from the United States, and presumably would just as soon […]
Michelle Vaughan presents forty conservative women
Contributed by Sharon Butler / Walking into Michelle Vaughan�s show at Theodore:Art, visitors are confronted with a small oak bookcase, desk, and chair in the […]
Portraits of a president
Contributed by Sharon Butler / CNN reported that the official portraits of former Presidents George W. Bush and Bill Clinton have been removed from the […]
Consciousness raising: Social media
Contributed by Sharon Butler / The time has come to leave Facebook and engage in online activities elsewhere. Difficult though it may seem to leave […]
Quick study: A new day
Contributed by Sharon Butler / Here is a selection of art articles I’ve gathered from sites around the internet this week, including Painters on Painting, […]
Covid-19: A cultural draft notice
Contributed by Jonathan Stevenson / The current of disgust, loathing, and anger in the liberal white consciousness has been pretty steady since Donald Trump was […]
The political power of art
Contributed by Jonathan Stevenson / In a typically penetrating New York Times column earlier this month, David Leonhardt pointed out that one of Franklin Delano Roosevelt’s many […]