Contributed by Jason Andrew / It’s easy to associate the new paintings by Julie Beaufils, now on view at Matthew Brown Gallery in Tribeca, with a post-apocalyptic world. The sixteen paintings suggest fractured architectures and abandoned fields, sun baked and rising from a humming radioactive haze. Beaufils lives and works in Paris, and her precise lines and delineated spaces capture its curving promenades, narrowed boulevards, and sinking perspectives. Travels to Los Angeles and the American Southwest have also influenced this new work.
Tag: New York
Ying Li and Susan Jane Walp: Innovative traditionalists
Contributed by Elizabeth Whalley / Ying Li and Susan Jane Walp’s paintings on paper, on view in concurrent solo exhibitions at Pamela Salisbury Gallery, initially seemed to me to have little to do with each other given the differences in subject matter, its presentation, paint handling, and color. As I thought more about them, though, virtuous similarities emerged in my mind.
Two Coats Selected Gallery Guide: May 2019
To everyone who has struggled through another academic year, final crits are over, so the time has come to get out and see some shows. We don�t usually put […]
Robert Yoder on slowing down the process
Contributed by Sharon Butler / I met Robert Yoder at a fair in Miami a few years back, and, since we have a similar aesthetic, he […]
Two Coats Selected Gallery Guide: January 2019
Contributed by Sharon Butler / The new year brings good news for Bushwick gallery goers: The L Train, which was scheduled for a 15-month shutdown to […]
The art world’s downmarket retreat
Last year, my first article published in The Brooklyn Rail examined how an impending art market “correction” might affect artists. “In a fairly typical scenario, […]
Why doesn’t activist art reflect our complex reality?
In New York, Jerry Saltz suggests that activist artists like Martha Rosler should stop recycling the well-worn tropes from the 1960s, move beyond the simplistic […]
NY Mag’s fall painting picks
Giorgio Morandi: 1890–1964, Metropolitan Museum, New York, NY. Sept. 16–Dec. 14.“When the master of quiet still lifes died in 1964, he was unfashionable in New […]
Shafrazi uses two coats of paint
I’d be a negligent blogger if I didn’t applaud Jerry Saltz’s fabulous article title in this week’s New York,”Two Coats of Painting.” Saltz writes that […]
Saltz: Old is gold
In New York, Jerry Saltz writes that the art market bubble has enabled long-overlooked but hard-working artists to move a little closer to the limelight. […]