Tag: Louise Bourgeois

Out of Town Solo Shows

Sam Anderson: Feeling is structural

Contributed by Patrick Ryan Bell / Situated in Baltimore’s Old Goucher neighborhood, art hall has rapidly established itself as a pivotal space for contemporary art. Once a Hells Angels bar, the venue has undergone a thoughtful transformation that embraces its history and urban context by way of significant international artists tailored to Charm City’s audience. In a city shaped by economic precariousness, institutional neglect, and fierce grassroots creativity, art hall presents an alternative model: serious contemporary programming without the trappings of market pressure or institutional polish. Owner and director Shawn Mudd is not looking to feed or mimic New York but instead to divert its pipeline, bringing established artists to Baltimore. Now up is Sam Anderson’s solo exhibition, “There’s a Girl in My Soup,” which features a wide range of her work. It fits the gallery: rigorous, poetic, and strange. 

Artist's Notebook

Inside Peter Dudek’s studio

We’re up in the Berkshires of western Massachusetts. The floor of Dudek’s studio is covered wall-to-wall with objects. One can ascertain individual sculptures, or perhaps parts of sculptures that might become sculptures one day. I ask if this is how it always is.

Conversation Gallery shows

Drew Shiflett and Carter Hodgkin on the creative process

Contributed by Riad Miah / In conjunction with their two-person exhibition, The Shape of Things, at the John Molloy Gallery, I had the opportunity to engage in a conversation with artists Drew Shiflett and Carter Hodgkin about their materials and unusual creative processes. At first, their pairing seemed unexpected, as their visual languages appeared quite distinct. However, after seeing the exhibition firsthand, I came to appreciate the deep connections and underlying commonalities in their work.

Solo Shows

Dannielle Hodson’s infectious imagination

Contributed by Margaret McCann / “Chasing Rabbits,” the name of Danielle Hodson’s show at Kravets Wehby Gallery, refers to the cautionary Chinese proverb, “if you chase two rabbits, both will escape.” Hodson accepts that risk, bypassing clear purpose to embrace multiplicity. Impelled by curiosity – as Alice was, and Grace Slick advised – Hodson’s visual gestalts, though far livelier than Cezanne’s, similarly invite the viewer to re-experience their becoming…