Contributed by Jacob Patrick Brooks / The lofts of downtown New York occupy a special place in American art history. They functioned most importantly as incubators for Abstract Expressionism in the 1950s, eventually giving way to the galleries of the 1980s and 1990s. Today, the spaces once occupied by Barbara Gladstone, Pat Hearn, and Willem de Kooning have been replaced with Uniqlo, Nike, and expansive apartments for the super wealthy. In “Wave Pattern,” a downtown apartment show on the sixth floor of an unassuming Broadway building, art world scions Dylan Brant and Max Werner provide some relief from this cluttered, big-box nightmare.
Tag: Josh Smith
Multitasking painters like me
As if in response to my discussion with hyperallergic Hrag last night about multitasking vs. concentrated monofocus, in the NY Times this morning Holland Cotter […]
NY Times Art in Review: Art Green and Josh Smith
“Josh Smith: Currents,” Luhring Augustine, New York, NY. Through March 14. (Note: The paintings look better as JPEGs than they do in the gallery.) Ken […]
Everybody hearts painting, 4eva
“Painting: Now and Forever, Part II,” billed as “a highly subjective, celebratory survey of contemporary painting,” is a wonderfully seductive, understated show, at least the […]
Ann Craven speaks in Cambridge
New York-based artist Ann Craven paints wistful, Disneyesque images of birds and deer with a delicate, unhurried touch. She also paints the moon from life […]