Contributed by Zach Seeger / One day, the polyglot, not-quite-formed figurative painter Alfred Jensen was sitting at his desk in his studio mulling over what to do next. A world traveler, he had a bounty of books, cutouts, and sketches of glyphs, logograms, symbols and signifiers nesting in his studio. But he was stuck. Then Mark Rothko knocked on the door for a studio visit. After a few long drags from his cigarette, Rothko gestured to the byzantine bric-a-brac on Jensen’s wall and said, “You know, Alfred, that’s your work. Paint that.” From that point forward, Jensen changed how and what he painted. Via sticker-book color and flourish, “Gritty Rituals,” a thoughtfully energizing group show at Equity Gallery, recalls the schematic proto-pop that Jensen teamed with imagist distortion and tantric and somatic references.
Tag: John O’Connor
John O’Connor’s formidable pencil
Contributed by Riad Miah / John O’Connor’s tools are basic and everyday, materials that one might think a child would use for their initial foray into art making. For his works on paper, many now on display in his solo exhibition “Man Bites Dog Bites Man” by way of Pierogi and L’SPACE, he uses colored pencils and graphite. But behind the simple tools is a discerning mind.
John O’Connor: Recording small events, missteps, and changes of direction over time
In The Village Voice RC Baker reports that John O’Connor uses ‘haphazard research’ and personal obsession (body weight, lottery numbers, weather reports) as inspiration for […]