Contributed by Patrick Neal / In New York City galleries, portraits, still lifes, interiors, and landscapes are everywhere, reinvigorated for the twenty-first century. With landscape painting in particular, innovation often arises through a seamless compounding of sources, where past and present, universal and specific, coexist. Three exemplary solo shows drive home the point. With varying degrees of naturalism and mediation, all three artists favor an authentic response to nature, and the titles of each exhibition suggest a phenomenological grounding.
Tag: Jennifer Bartlett
Artist’s Notebook: Elisabeth Condon
Painter Elisabeth Condon divides her time between Manhattan and Florida, where she currently has new work on view in “Tempus Fugit,” a solo show at Emerson Dorsch Gallery. Two Coats of Paint invited Condon to share ten ideas and influences that shape her ebulliently expansive paintings and installations. The artist’s influences come from near and far, from her excessively designed childhood home in California to the Astor Chinese Garden Court at the Metropolitan Museum and the furniture Japanese designer Shiro Kuramata crafted from industrial materials. For Condon, kinetic and vigorous layering are crucial to her process.
Jennifer Bartlett revisits dotty grids
In The Philadelphia Inquirer, Edith Newall reports that Jennifer Bartlett has returned unambiguously to her past in her current show at Locks Gallery. “At 97 […]