Contributed by Jonathan Stevenson / “The Messenger,” Jack Whitten’s momentous and flawlessly curated exhibition at the Museum of Modern Art, is a signal event not just in American art history but, arguably, in American history simpliciter. To be sure, it showcases an art polymath who broke and cultivated important ground across a broad swath of artistic endeavor. But its timing as a socio-political statement seems perhaps singularly important.
Tag: Jacob Lawrence
Cathy Lebowitz: Restoring the Landscape
Contributed by Michael Brennan / In Cathy Lebowitz’s “Dark Skies, Rocks, her second solo exhibition at Skoto Gallery, about two dozen themed works on paper wrap around the walls of the cinderblock space. Many are washy gouache paintings, others are dash-marked drawings. Her paintings are painterly and her drawings graphic, exemplifying soundly medium-specific discipline. The works are refreshingly small, about the size of a writing tablet or an iPad, inviting closer inspection. I felt an unusually direct connection to the artist through what can be described as microcosmic meta landscapes, extending from her hand through her studio, as if directly sourced in real life
Painting sympsium at The Phillips Collection in DC
On Saturday, September 27, artists, art historians and critics will be jawing about state of painting. “Although widely proclaimed dead in the 1980s, painting has […]
Jacob Lawrence: Painting as aesthetic object or historic narrative?
�Jacob Lawrence�s Migration Series: Selections From the Phillips Collection,� Whitney Museum of American Art, New York, NY. Through Jan. 6. �Undoing the Ongoing Bastardization of […]