An award-winning NYC blogazine, primarily about painting
Thursday, July 10, 2025
Contributed by Jonathan Stevenson / While some art pulls you in gently, Gerri Rachins’ paintings, now on display at The Painting Center, grab you like a raptor. Though unequivocally abstract, their affect, as it were, is prehensile. They seem to guard the walls, flexing with taut line and pulsing color, at once opaque and fluid.
Contributed by Michael Brennan / A while ago, with a half dozen adventurous galleries operating, a new art corridor seemed to be emerging on Atlantic Avenue in Brooklyn. This made geographical sense. Brooklyn was reaching critical mass in terms of artist residents, and the street itself was long and central, with excellent public transportation access…
Curated by artists Elisabeth Condon and Carol Prusa, “POUR,” an exhibition that examines the use of poured paint in contemporary art practice, opens this week at the Schmidt Gallery, Florida Atlantic University, in Boca Raton, Florida. Condon, a painting professor at University of South Florida and Prusa, a painting prof at FAU, tapped Stephen Maine to write the essay, which references Pollock, Kaprow, Frankenthaler, Morris Louis, James Brooks and others.
Contributed by Sharon Butler / Gouache, an expensive opaque watercolor-like paint, has been around for millennia. It dries fast, yields a sublime matte finish, and […]
“Jackie Saccoccio: Interrupted Grid,” Eleven Rivington, New York, NY. Through Feb. 9.“Carolanna Parlato: Nature Games,” Elizabeth Harris Gallery, New York, NY. Through Feb. 2. In […]
