Contributed by Peter Schroth / Artist Polina Barskaya – born in Ukraine, raised in Brooklyn, now living in Italy – paints intimate portraits of domestic life. In “The Good Life,” her current exhibition at Harkawik, the life in question encompasses a self-contained triangle of father, daughter, and mother, the latter being the artist and observer. It’s hard to take such a title at face value – especially, perhaps, in light of current events. Except for one painting set in a courtyard, the strictly interior world of the home – be it a private residence or a hotel room – is depicted. Each scene is rendered within a symmetrically balanced box in one-point perspective and contains a central anchoring element. These snug spaces take on a womb-like character, suggesting not only nurture or shelter but also isolation.
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Catherine Murphy’s intimate realism
Contributed by Peter Schroth / At Peter Freeman, Inc., esteemed realist Catherine Murphy resurfaces with a new selection of her novel perceptions of the quotidian. In Cathy and Harry, a new documentary about the life, work, and marriage of Murphy and her husband Harry Roseman, also an artist, Murphy says that one of her prime objectives is to express “universal objectivity.” Against some strands of painting tradition, she chooses subjects so mundane as to be otherwise unremarkable, indicating a gentle contrariness.
Emily Berger: See Emily paint
Contributed by Peter Schroth / In “Spirit Level,” Emily Berger’s solo show at Starr Suites, she continues to expose the depths of a kind of abstract painting that she has intriguingly investigated and perfected over the past decade. Her minimal compositions are poised confidently between the formal and the lyrical. There is an almost primitive simplicity to what she reveals and purposefully little made of light, movement, and space in the ways we would typically anticipate.
NYC Selected Gallery Guide: April, 2023
Painting-centric guide to exhibitions in NYC galleries
NYC Selected Gallery Guide: March, 2023
What to see: This month, on the Lower East Side, we recommend Two Coats contributor Riad Miad’s solo show at Equity Gallery and Chris Dorland’s show at Lyles & King. In Brooklyn, look for Jessica Weiss at 490 Atlantic, and note that Sheila Pepe has curated a show at Platform Project Space that opens March 2. We’ve never been to Field of Play in Gowanus, so we’re going to try to get over there to see Hopscotch, with Alyson Ainsworth, Kat Chamberlin, and Leonora Loeb. CLEARING is opening a new space at 260 Bowery at the end of the month, with a big group show called “Maiden Voyage.” In Chelsea, who can resist “Ass Backwards,” philisophical wise-ass David Humphrey’s latest at Fredericks & Freiser? And we’ll try not to forget Josephine Halvorson’s “Unforgotten,” which opens at Sikkima Jenkins on March 17. The news from our neighbors in the global art world is that Gerhard Richter, who left Marian Goodman Gallery last year, is having his inaugural show at Zwirner this month, featuring “new and recent abstract works.”
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Email: staff@twocoatsofpaint Two Coats of Paint is a NYC-based art project, that includes an award-winning art blogazine, artists residency, conversations, catalogue essays for painters, and […]
Austin Thomas: Consummately visual
In The Brooklyn Rail, Thomas Micchelli reviews Austin Thomas’s remarkable solo show at STOREFRONT, which closes this Sunday. “The installation, which is divided […]
Congratulations to all the Pollock-Krasner Foundation grant recipients!
Jackson Pollock and Lee Krasner in the studio, 1949. The Pollock-Krasner Foundation, now starting its 25th year of grant-making, has announced 125 grants totaling $2,093,140 […]
Places to go
Alex Paik, “Hey, Hey Housetop,” 2009, mixed media, 8″ x8″ “Alex Paik: Playground Counterpoint,” Tiger Strikes Asteroid, Philadelphia, PA. Through September 25. “Not even as […]