Contributed by Rosetta Marantz Cohen / Who doesn’t love a hat? Whether you wear them yourself or simply admire them on others, it is hard to deny that a beautiful, handmade hat is a marvelous object. As with all aesthetic creations, where hats sit on the continuum between high art and craft, sculpture and practical headwear, depends on the intention of the hatmaker and the predisposition of the viewer. Certainly there’s an argument to be made for giving certain hats their due as museum-worthy objects. Museums have long displayed all manner of objects intended for wear, from designer shoes to lavish evening gowns. The special display of hats currently on view at The Gallery at the Met Store makes the case that hats constitute a unique blend of high art and commodity. Situated unabashedly inside the museum store, the show is perfectly candid about what it is: a thoroughly delightful inventory of beautiful and artful yet wearable things, with prices attached.
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Ranti Bam’s sculpture: Abstract women talking
Contributed by Rosetta Marantz Cohen / “Anima,” the first New York show of Ranti Bam’s work, now on view at James Cohan, presents the British-Nigerian artist’s 15 mostly freestanding ceramic sculptures. They’re strategically deployed across two rooms, simulating a conversation among a lively group of women who are different in color and temperament but linked in some fundamental way. The longer you look at them, the more animated and female they seem.
Hung Liu’s timeless twentieth century
Contributed by Rosetta Marantz Cohen / Rare among contemporary artists, Hung Liu, who died in 2021, chronicled the trauma experienced by the Chinese diaspora in the aftermath of the Cultural Revolution. Her paintings, currently on view at Ryan Lee, vividly depict a female artist’s efforts to reconcile the terror of China’s recent past and the “otherness” she experienced after her emigration to the United States. The exhibit seems especially poignant now as questions about homeland, memory, and trauma resonate with such immediacy.
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