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Gallery shows

Amanda Church: The contemporary gaze

Contributed by Adam Simon / One of the under-appreciated aspects of art viewing is the way that a given work establishes a certain relationship with a viewer. Mark Rothko famously claimed that “lots of people break down and cry when confronted with my pictures.” He may have been trying to fend off a formalist reading of his work, but I can’t help wondering about the type of relationship he posits in that quote. In Amanda Church’s fine exhibition “Recliners” at High Noon, a very different type of relationship is established, in which the object playfully attunes the viewer to the knowledge and predilections he or she might bring to the experience of looking. Don’t expect to cry, but do prepare to be winked at.

Solo Shows

Ridley Howard: Sky high

Contributed by Amanda Church / In his exhibition of similarly sized small-scale paintings titled “Sky,” now up at Marinaro, Ridley Howard applies his usual paint-handling panache to celestial expanses of blue. The surfaces are flawless and smooth, as are the porcelain faces of the women he depicts. The skies’ shades vary, and clouds make an occasional appearance, but there’s a pervasive sense of clarity and tranquility punctuated by partial views of treetops, cocktails, and impassive female faces. The usually stark tableaux sometimes border on the surreal. Howard’s Summer Moon, for instance, echoes Magritte’s The Banquet, minus the figure. 

Solo Shows

Camilla Fallon: Womanizer

Contributed by Amanda Church / Following the fleshy path of Rubens, Lucian Freud, Joan Semmel, and Cecily Brown, among many others, Camilla Fallon has recently focused her loose, lush brushwork on the female body’s midsection, specifically the navel. “The Navel Is the Center,” her current show at The Painting Center, consists of eight medium-scale paintings and four very small ones, most providing an intimate view of this inverted body part. Under such close scrutiny, it becomes symbolic, implying vulnerability, contemplation, and introspection. 

Solo Shows

Andrew Mer: All things obscure and oblique

Contributed by Amanda Church / What do we not see every day even when we are looking? Andrew Mer, aka @bigfusss on Instagram (where these photographs were first discovered), considers the question in his current show “Agog” – the filmmaker’s first exhibition of photography since moving to New York 30 years ago – at Mitchell Algus Gallery. The show consists of thirty 14 x 11-inch digital prints, shot on an iPhone starting in 2020, in editions of five with two artist’s proofs. The spontaneous photos of street scenes are in one sense classic Instagram moments, evanescent and transient. At the same time, they capture the so-easy-to-overlook minutiae of urban existence in precise compositions. 

Gallery Guides NYC Gallery Guide

NYC Selected Gallery Guide: July, 2025

Contributed by Sharon Butler / A special note to New Yorkers who, like me, are loath to leave the city over holiday weekends or at any point during the summer, really: always check to see if galleries are open on Saturday. Chances are they aren’t. Many gallerists, kind of like Bartleby, simply prefer to close up shop for the entire long weekend. Other galleries, possibly your favorites, are shuttered until late summer or early fall, back to work only after the dust has settled from the September art fairs and blockbuster openings. For the hardcore stay-cation crowd of course, a slew of wonderful group shows are on view – sometimes freewheeling affairs in which emerging artists hang alongside more established ones we know and perhaps love. Where possible, I’ve listed the artists in each show so that you can hunt down the names already on your radar or target a few less familiar up-and-comers. Some of my best memories involve wandering around a nearly empty gallery with the editor on a sweltering summer afternoon and then ending up in a dark hideaway, drinking pints and arguing about the shows we saw. Save the shore for the off-season. As my mother, a woman who lived in a seaside town for most of her life, used to say, why go to the the beach in the summer? It’s a mob scene!

Gallery Guides NYC Gallery Guide

NYC Selected Gallery Guide: June, 2025

Contributed by Sharon Butler / June, academics’ favorite month, is here. I’m looking forward to checking out Smack Mellon’s“Remains to be seen,” a group show that brings together nine emerging artists whose practices find meaning in waste. Artist Austin Eddy has curated a star-studded exhibition called “A Movable Feast” at Halsey Mckay’s Greenpoint outpost. Abbey Lloyd has a solo at Ptolemy, a newish gallery in Queens. I’m looking forward to seeing some aggressive abstraction, with Iva Gueorguieva’s solo at Derek Eller and…

Gallery Guides NYC Gallery Guide

NYC Selected Gallery Guide, March 2025

After several years during which galleries have focused relentlessly on narrative and figurative work, I feel a vibe shift in the air. Is it wishful thinking or is abstract painting roaring back? I recommend checking out RJ Messineo’s show at CANADA, James Miller at Nichelle Beauchene, Nicolas Bermeo at King’s Leap, and Franklin Evans, who has moved from site-specific wall installations onto canvas in his show at Miles McEnery. I’m looking forward to Moira Dryer’s solo show at Magenta Plains, too. Known for a witty strain of post-minimal abstraction in the 1990s, she was a hero to painters of my generation who were then living in the long shadow of video, photography, and installation work.

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