Contributed by David Carrier / As the title “Tapes, Fields, and Trees” indicates, the exhibition of ten works by Sylvia Plimack Mangold at Craig Starr Gallery draws on three bodies of her early work. In the mid-1970s, she made Minimalist paintings of tape measures. Pieces like Taped Over Twenty-Four-Inch Exact Rule on Light Floor, however, reveal a surprising poetry in seemingly prosaic subjects. Then she painted grids, like the one in Painted Graph Paper. Finally, in a remarkable transition, she drew a window looking out on a landscape….
Tag: Helen Molesworth
Dike Blair: The humanity of light
Contributed by David Whelan / The idea for the exhibition “Dike Blair: Matinee,” now at the Edward Hopper House, came from a discussion the artist had with curator Helen Molesworth in front of Edward Hopper’s 1938 painting New York, Movie. The picture is split in two: on the left a black-and-white film plays on a movie screen, and on the right a stairway leads away from the film, perhaps outside. In front of the stairway is a female usher, leaning languidly at the threshold, bathed in ambient light. The usher, the viewer, and possibly even Hopper himself stand at the boundary, resonating an ambivalence towards a life mediated by technology.
Luc Tuymans anticipates “steady sales”
Luc Tuymans, “Iphone,” 2008, oil on canvas, 44.88 x 34.06 inches. Courtesy of David Zwirner. Gareth Harris’s interview with Luc Tuymans at The Art Newspaper […]
Fitzpatrick curates artists’ stuff at La MaMa E.T.C.
Artist Daphne Fitzpatrick visited 43 artists’ studios and chose a single non-art object from each for this amusing group show at La Galleria at La […]
Sylvia Plimack Mangold: tree, view, season
“Sylvia Plimack Mangold,” Alexander and Bonin, New York, NY. Through Oct. 13. Annemarie Verna Galerie, Z�rich, November 9�January 12. Paintings by Plimack Mangold from the […]