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Art and Film: A Belated 2021 Top Ten

Contributed by Jonathan Stevenson / When an arthouse revisionist western directed by an Australian woman and starring an Englishman dominates the Oscar nominations, it’s safe to say that the pandemic has not severely compromised the quality or vision of cinema, even if it has skewed the structure of the business towards streaming platforms and away from brick-and-mortar theaters.With the usual caveats about inevitable bias and subjectivity, here, in alphabetical order, is a defensible Top Ten for 2021.

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Art and Film: The low spark of High Art

Contributed by Jonathan Stevenson / It’s a rare movie that finds the sweet spot between storyline cohesiveness and minimal exposition as well as great tone. Lisa Cholodenko’s plangent late-nineties gem High Art — her feature debut, now available on Criterion — is one such movie.

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Wartime and time warps in Obayashi’s Labyrinth of Cinema

Contributed by Paul DAgostino / Nobuhiko Obayashis film Labyrinth of Cinema is, as billed, broadly, profoundly, and provocatively about war. He is best known for his epic War Trilogy. At the same time, the storied Japanese filmmakers final film completed not long before he passed away at the age of 82 in April 2020 is also a visually dazzling, pan-historical account of the ways and reasons for which films are made, viewed, critiqued, and recalled.

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Art and TV: A misanthrope’s moment

Contributed by Jonathan Stevenson / If the Cold War suppressed heroism to the point where anti-heroes came to rule culture, the post-Cold War era may have engendered such disappointment in humankind as to elevate the thoughtful misanthrope to icon.

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Art and Film: Ursa meta

Contributed by Jonathan Stevenson / These times demand both mordant humor and serious contemplation, which helps explain the prevalence of meticulously packaged black comedies in […]

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Art and Film: Men of wealth and taste

Contributed by Jonathan Stevenson / Charles Willeford — Guthrie-esque hobo, World War II hero, pulp-fiction genius — was one of the best crime writers of his generation, influential yet under-appreciated. Among his many books, Cockfighter became a cult-classic film starring Warren Oates, Miami Blues a quirky eighties jaunt with Alec Baldwin, Jennifer Jason Leigh, and Fred Ward. His slender memoir, I Was Looking for a Street, wistfully encapsulated both the promise and the strange loneliness of mid-century America, much as Raymond Chandler and Ross Macdonald did in their detective fiction. The Pick-Up was a brutal, uniquely incisive parable about race in America. Thirty-two years after his death and almost 50 years after its initial publication, The Burnt Orange Heresy — arguably his best novel — has made it to the screen, courtesy of director Giuseppe Capotondi and screenwriter Scott Smith, who prove its timelessness.